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The score is at once dreamy and intoxicating. And then there is the exquisite soundtrack composed by John Williams. Some of the film's funniest moments involve their characters. The sincerity of her performance makes Sabrina so appealing and completely lovable.The performances of the three leads are complemented by a fine supporting cast made up of John Wood, Nancy Marchand, Dana Ivey, Richard Crenna, and Angie Dickinson. I think it's a wonderful combination of her beauty and acting skills that helped her succeed in this role. If she had felt any trepidation essaying the role that had been so closely identified with an icon like Audrey Hepburn, none of her nerves translated on to the screen. And what of Julia Ormond? Well, I think she was absolutely perfect as Sabrina. But Greg Kinnear plays him with utter charm that we understand why Sabrina and women in general are so taken with him. True, David is self-centered, careless, and carefree. Greg Kinnear is well-cast as Linus' dish of a younger brother, David. He plays Linus as a serious and almost ruthless businessman, and yet gains our sympathy as he gradually shows a tender and vulnerable side to Linus' cool exterior. Harrison Ford is superb as Linus Larrabee. But the humor is so cleverly written, it is impossible to ignore just how charming and comical this movie is.The script is wonderfully brought to life by the outstanding cast. That's because except for that rather unexpected burst of laughter from Linus' secretary, which cracks me up EVERY time I get to that part, I have never found myself laughing aloud while watching this movie. Harrison Ford's tour de force performance as the greater Larrabee fulfills Pollack's mission to tell a simple story of how a king is transformed by the love of a woman."It was a lie, then it was a dream." You can watch this scene over and over and each time gain a better understanding of how great acting can define a relationship, this one between mother and son, for an audience.But this film should have been called Linus.
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Marchand's "I didn't teach you this" culminates what may be one of the best written scenes in American film. Fanny Ardant brings a french cinema quality to the film's Paris episodes. Taylor's play is, after all, just a fairy tale, and this film fully realizes it. William Holden is period eye candy, and the film will always be fun.Forty years later, however, Pollack made an important film. Relationship with Audrey Hepburn we fortunately got to see later in Charade, but if Bogart had not been cast would the film hold its classic status? Hepburn transfixed an audience and brought to the world La Vie en Rose.